The paradox of communication and lots of flavor
Talita Papoula
" Ten minutes is a critique of the kind of society where we are headed. A world where the premium is communication and understanding and that, however, raises continuous confinement invisible barriers that prevent us from direct contact with people. "
These are the words with which the English director Alberto Ruiz Rojo described this unique short film which he also wrote and who has achieved nothing less than a hundred prizes at national and international festivals, including the major Goya for best short fiction.
The film produced in 2003 and performed masterfully by the actors and Eva Marcel Gustavo Salmerón, get in less than sixteen minutes to create an atmosphere of viewer identification with the story and keep you hooked from the first scene until the final minutes of the film.
This occurs because the story is seen in the video whose theme is a situation that has certainly been true at least once for most people. Who has not had to resolve urgent issues on the phone and not gone mad when he spoke to a telephone operator who looked like a machine? That's exactly what happens to Ten Minutes .
The protagonist of the history, Henry tries to get to a telephone company simple information on which depends the future of the relationship with his girlfriend. However, it is almost insurmountable barriers to achieve this: despite the multitude of words to convince teleoperator says that "can not provide the information" you want, Henry is seen in front of a failure to communicate struggling desperately to overcome.
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