Yes. I've reached the end of my new novel, but that does not mean it is finished. Last Monday afternoon, one year and six days after writing the first word, the pen stopped a moment, took air, as if to dive into the water, and wrote the word END, with a capital. Now I'm reading it with the eyes of the reader, it is not easy. This is prop, polishing, editing, changing room block, delete paragraphs that are left over and rewrite others. But the most difficult has been completed. I guess other writers light up a cigarette, satisfied, or open a bottle that has saved for the occasion. Not for me, because neither smoke nor drink.
Some readers and friends have asked me on Facebook the title, or feed them a passage. For now, I'd rather not say anything except that this novel I'm editing have about 150 pages longer than Fiddler of Mauthausen or Einstein Factor (ie: those who have to read it, you can be exercising the biceps in the gym ...), happens in 1950 from Salzburg, Paris, Berlin, Barcelona, \u200b\u200bMadrid and Seville, and the plot appears a character Fiddler Mauthausen and other The key Pinner. I am pleased with the result, and this is the first step, I think, that readers might like. I do not think that post until next year, if not later. With books you never know. The novel has survived many trips, a summer storm that swept away nearly three hundred pages of manuscript, to two computers, desktop and laptop, which merged forever, and many moments of uncertainty, the usual, when can not help wondering what the hell are you doing so many hours locked a day in a world that exists only in your imagination. But writing a novel is also like a treasure to carry in your head for many months with the hope someday to share it with others.
the moment I can show readers of this blog the landscape of my desk after a battle so long: seven books manuscripts with more than seven hundred pages of my own hand, four notebooks, my favorite pen, two empty ink cans, four black and two red pens, two pencils, nine books I've managed to document, and my new laptop.
At least he is one the satisfaction of accomplishment. With that, at present, it is enough.
A year ago a teacher gave us the opportunity to use Internet tools for the English could be a living language for us, Brazilian learners of this culture that we love. Without pensárnoslo lot, grabbed the idea of \u200b\u200bliving in English outside the classroom, because we knew that with their support would come where we want. Thus emerged the electronic journal The insistent.
were seven (Alan Badin, Alfredo Vinhais, Ana Almeida, Carolina Vital, Daniella Wagner, Laura Freitas and Victor Gonçalves), throughout this year, some followed other paths, others arrived (Clarissa Verdial, Luque and Talita Fabricia Papoula).
seven continue writing, but with the enthusiastic cooperation of many: Bianca Stamato, Fatima Paschoal, Herbert Guimarães, Luiz Ignacio, Lívia Duarte, Carla Mariani and also a former student, Fernanda Godoy, is our correspondent in New York and now has sent the following message:
"Friends from NY I congratulate success should be celebrated. Unfortunately I could not stay in Rio for this special day. But returning to the English-speaking country, I realize how English is not only a language or tool work, but a way of transportation to other cultures, the English and Hispanic all varieties. Speak Castilian allows you to create links with all these people, understand their thinking and express emotions, form a network of accomplices. Let us work, and the English contribution to each of us wonderful things, always. "
The menu for the celebration: a paella
This is the essence of our work. We seek a comprehensive and multicultural approach. Emphasize not only approach the English of Spain. Concern is always for the dissemination of English and Latin American cultures. Maybe that's why we have so many readers in Mexico, Argentina, Peru, United States, Chile, Colombia, Venezuela, and Brazil and Spain.
Our magazine grew little by little, under the challenges posed by our beloved teacher Belén García Llamas, which remains an enthusiastic and encouraged us saying if we win (the problem is that we believe in it and when we got to do well what that he proposes, she invents a new challenge).
Thus were created the interview section, the texts published in group (a great experience, with which we have learned a lot!) and more. The insistent has become a magazine open to all students and alumni of the Cervantes Institute in Rio de Janeiro.
Last October, we opened our official Facebook . We have now more than 130 fans. One of them, Eugenia Victoria Gordo, Madrid, has written today:
"Those from beyond the borders will be with you in spirit, heart and life. Moreover, this "my house in Spain" I have cachaça and I'll take a caipi to your health and that of our magazine ... "
Since it has been created, the insistent now has 56 supporters, who appreciate the company, including comments on our publications, along this year.
During this period, we also enjoyed the support of Instituto Cervantes de Rio de Janeiro, who even gave us a link to your website . Thank Antonio Martínez Luciano director, administrator, José Pérez Peiró, the head teacher, Rosa Maria Sanchez-Cascado Nogales, the cultural manager, Naomi Oliva García-Baquero, and also the administrative assistant Domingas Fernanda Barbosa dos Santos for the love and support. On behalf of the Institute, the director sent me the following message to all:
"CONGRATULATIONS! I want to say congratulations, on behalf of the Institute for the outstanding work you have done to take forward the insistent. In this first year of life have been that the magazine is interesting, entertaining and diverse. It is done with professionalism, as well as with great fondness. I apologize for not being able to accompany tonight's celebration at the House of Spain, but I'm out in a couple of hours to Salvador, where he had a prior commitment. I beg you to convey my thanks and congratulations to all members of the group and encourage you to continue on the same line. Hugs, Antonio Martínez Luciano "
I think the success of this first year comes from the way we use the repeated as a very strong learning tool, with much pleasure and in a fun, learning from mistakes and reflecting on the ways of writing, styles of each ...
However, it is an activity undertaken by all very seriously, trying to make the best possible way. The truth is we learn a lot and enjoy ourselves even more.
Post The insistent the person becomes a real pushy because it happens to want more and more. As a truly passionate about this experience, I can say that for us, The insistent and is a philosophy of life, or we can not give up ever and we continue to insist always on the look of our dreams and goals.
I can not close without saying to our dear teacher and friend: "Thank you, Belencita. You are a sunshine in our lives! "
written and read speech by Daniella Wagner, editorial coordinator, on the occasion of the dinner commemorating the first anniversary of the insistent, Casa of Spain.
And by the way have you forgotten to say Where you live, what's your name, what you do In case you're free We can go you and me to the zoo And may I ask you what you to do with your days, With your nights, with your time, with your life Suppose I dare to ask what are you doing tonight If you're free I can lend you these wings for a flight
Haven't we met? I can't remember but yet I could swear I have seen you before But if you're scared of my boat I can take you ashore Or would you rather catch the wind That blows steady and pulls to the high open sea You are the force that irresistible might That creates in me the power of flight We're kites in the sky We can fly, we can fly We can fly, we can fly
I get a flash of your thigh like a spy in the sky I see thy heavenly thighs in the skies, in the skies There where the sea meets the sky You and me, you and I
Give me a moment just to finish this brew to undo the voodoo That kept you away For so long For so long For so long La la la la ... Suppose I give you this rose and you give me a kiss Suppose we take off our clothes And we plunge in the sea And just dismiss with a kiss la petite burgeoisie
Haven't we met? I can't remember but yet I could swear I have seen you before But if you're scared of my boat I can take you ashore Or would you rather catch the wind That blows steady and pulls to the high open sea You are the force that irresistible might That creates in me the power of flight We're kites in the sky We can fly, we can fly We can fly, we can fly
I see thy heavenly thighs In the skies, in the skies There where the sea meets the sky You and me you and I La la la la ... For so long For so long
La imagen: una fotografía que hice de Plaza de España(Sevilla), el lugar más bonito de sevilla y del mundo, seguro que estás deacuerdo. Here
a version in the Montreal Show. love the poet Antonio Carlos Jobim
Recently I interviewed the writer Peter Domene to Cuadernos del Sur. Peter has reviewed several books of mine and since I read my first story published ten years ago, I would say that, literally, is one of the best people I know. My novels or stories you have enjoyed my more or less, but every time I interview or write about my work, I still feel very comforting, of course, you know which way the shots and hit full in I intend when I sit down to write. That is not easy. In fact, it happens very rarely. So I leave here this interview to me liked to see paper published recently. Thank you, Peter. A hug.
Perez Dominguez, winner of the Ateneo de Sevilla for Fiddler Mauthausen, accumulated ten years of literary career, which now sets out some key
1) From State provisional (2 001) to The Violini st to Mauthausen (2009), nearly a decade of successful work How much has been learned along the way? Much
, really. Both in literature as in per staff.
2) I ask because the first word might be considered "authentic literary exercises" by its brevity, is that correct?
My first texts were shorter, but mostly because at first the idea of \u200b\u200bwriting a novel imposed on me too. But I do not mean to write short stories easier to write novels. Are different efforts, but in reality it is sit down and write and do the best you can. also needed to prove, he did know if readers could enjoy, and find tré sa an interesting outlet for his writing and No literary competitions. The reason was q ue did not want to spend a year or more, writing a novel without knowing whether the end might even pub lished dignity. However, before The key Pinner wrote several short stories and a novel with the same extesión more or less than that.
3) Was The key Pinner (2004) its true estr eno as narrator aware of what assumed to be a professional writer?
The key Pinner was the first novel of mine that was published in a commercial publisher. Before pu bliqué other books that have won awards and were published by the institutions that convened. I mean when I wrote The clear see Pinner did not even know if he would publish. In fact, it took me three years to see it in bookstores as . But the fact was published, many readers had good reviews, it is v erdad that is my debut in the publishing market, and is a book that, ten years after writing it, I have much affection .
4) Is the vision of war and espionage have to ust ed sufficient incentive to build a literary monument all around it?
I am particularly interested espionage, and more than the war itself I like the atmosphere of the thirties and forties. I guess the publication of The key Pinner conditions a little, or rather, the impression that many will ctor of me as a writer, and two other novels m iah, Einstein Factor and The violinist to Mauthausen, tien in intelligence and that time as a backdrop. But s o ba writer stant versatile, multiple records, c defendant. And my other books have nothing to do with it coughing issues, but it is true that there are so known. In fact, what interests me are the feelings, and that's what I always speak in my books. So far I explore the psychology of the characters. Spying and the time so interesting and fascinating also allow me to write stories that are e ntretenidas to readers. For me it is fundamental such a book to be entertaining, and that will thrill readers, and if you can learn about a time a given for the better. And, realizing the answer, I think so, you can build an entire literary monument about espionage.
5) Do you consider yourself, then, an alumn outdone or authors like Greene or Le Carre?
say yes to that question would be very presumptuous on my part. Let's leave a disciple, or student, without adjectives, or at least not deb or r me who put them on. I've been a reader of Graham Greene and Le Carré from very jove nCite , and I suppose that I have formed, somehow, as a writer. But I'm also reading r by Antonio Muñoz Molina, Stephen King, Perez-Reverte, of Carver, Conrad, Ste Stevenson, Dumas and many other writers. The readings, in my opinion, should be com or diets. As varied as possible.
6) The novel Mowgl syndrome i (2008) draws a parallel between the jungle boy raised by wolves, and Rafael Montalban, the fighter who is dedicated to spanking for money, but someone What good is intended to provide with this sentimental view of a myth?
wrote this novel from a metaphor, something that usually happens. When I read The Jungle Book small, I always was l a feeling that the character of Mowgli was very sad: what breed the wolves, but when you get older you have to leave the herd because they consider it too Intelligent living with them. The poor will live in a village with men but also have to leave because of their species they see an animal and it remains only io remed to leave the forest alone. It occurred to me the term Mowgli syndrome pair to define people who, for different reasons, will not fit in anywhere. This idea arose i many years before writing the novel, and Rafael Montalban's character I think is the perfect embodiment of someone who has Mowgli syndrome . Of all my novels , Mowgli Syndrome is the person to, and gives me joy, muc has when someone refers to the metaphor of Mowgli syndrome to define who does not quite fit anywhere. Is a term that has come calan do in people. And the funny thing is that there are people talking about Mowgli syndrome unaware that the idea came from this novel.
7) Will the boxing world remains a very literary?
I think so, because it speaks of defeat, fra case and certain environments appropriate for the mood stories.
8) How much of literary ambition is a novel like Einstein Factor (2008)
Mucha. I think it's my most ambitious novel. D fter Pinner The key, I wrote Mowgli syndrome , and I took some public arla because the editors wanted a novel the same line of The key Pinner, but while much I heard that Albert Einstein was on the verge of becoming a English citizen in 1933, and I started researching and ended up in Long Island, the same house where Albert Einstein signed a letter in August 1939 to anim ar President Roosevelt to build the first atomic bomb in history. Writing this novel was a great experience and although at p RINCIPLE can pair ecer that this is only a web of espionage, it's much more, it poses a complex moral issue. And besides, there is an important emotional component in the relations of the characters in this novel. Antonia J. Corrales, or na writer friend of mine, define Einstein Factor as a thriller intimate intrigue because there are no gender effects, and too much stress. I love that definition, and I think that can be applied to other books of mine.
9) Fiddler Mauthausen (2009), Premio Novela Ateneo de Sevilla, "marks a before and after in his writing?
I suppose, but mostly because I have more readers. And if there is any difference between before he published this novel, and now, is how readers might perceive me later winning a prize like the Ateneo de Sevilla. To me there is no difference. I sit down to write with the same enthusiasm and the same uncertainty when I published and I read more than a few people.
10) Once again, warfare as a backdrop, but love is still very important in his narrative, in almost all, comes a love story that stands out in Fiddler, is the love in the face of horror?
Love is always present in my novels. It's not something premeditated, I get well. And almost always, interestingly, There is a love triangle. In Mauthausen Fiddler also was important for the balance love story novel. I refer to the previous answer, when he said that the intimate thriller.
11) Does the history of Rubén Castro could have been any English exile in Paris during the Nazi?
Yes, I think it represents what might have been the history of any of the English exiles.
12) Why are the big English forgotten the Holocaust? Does your novel is a way to do justice and open a way that literary sense?
several things happen. Spain as a country has always been on the sidelines of major international conflicts of the twentieth century, and of course World War II is one of them. But the English did participate in the Second World War: spies (we have the well-known case of Juan Pujol, alias Garbo), Division blue and extermination camps. The English suffered in the Holocaust are the forgotten because they were heroes who have barely been recognized in Spain. But my duty as narrator simply tell a story as effectively as possible so that my readers enjoy. If after a novel like Mauthausen Fiddler can serve for many people to get close to the lives of the English who suffered the Holocaust, all the better. But those are things that the writer can not control.
13) Finally, what time is now the writer Andrés Pérez Domínguez?
At a time when calm and at peace with myself, in that pleasant state of invisibility that remains for an author when a promotion has ended as long and grueling as the Ateneo de Sevilla Award. I'm still writing, and now I'm with the last chapters of a new novel. I can not live without writing, and for the promotion of Fiddler Mauthausen, despite the bustle of travel, interviews and book signings, and I started a new story. But as I said before, is like ten years ago, when I was writing Pinner The key: I write without thinking that there may be editors and readers who are expecting a new book. It's the best way to keep the illusion intact and feet on the ground.
not usually write on Saturdays or Sundays. It is customary to impose me to depart from the imaginary world that a healthy habit for many hours from Monday to Friday, and unless you're traveling or have a commitment that prevents me from my notebooks inclinarne on weekdays, Saturdays and Sundays I leave fiction side. I recognize that sometimes it's a relief to reach the end of the week and folded sails until Monday, but sometimes, when you wake up on Saturday or Sunday you feel strange, and sometimes you fight the temptation to sit in the office to play "Imagine that ...".
This weekend has been one of those. After exactly one year ago tomorrow I started writing my latest novel, and rolled up to the elbows with the last chapter that I am, if there is a catastrophe by - fingers crossed - , will be finished, raw, for next Friday, or maybe on Monday or Tuesday of next week. Then there is still much work ahead - although correct, polishing or darning paragraphs when you reached the end of history rather relaxes me - , but to be nearing completion a novel that has occupied nearly every day for the last twelve months ending pushing you to change your habits, as a temptation uncomfortable for someone who blindly believes in the discipline. So yesterday and today I had a hard time not sitting down for some progress in the completion of my novel. I stop to think and I'm not sure if on the one hand I refuse to wait a few days to write the final, while the other just the opposite happens to me, and I do not want is to stop living with characters who are both time with me.
Football I am not enthusiastic, but the last four classic between Madrid and Barcelona have seen with my father. Show me the same thing happens: although the three celebrations native of Seville is the least I dislike (the other two, an indifferent but I feel an enormous respect for people's lives, and the other will happen very soon, can not stand), this year I returned to step on actual Remedies after four years, I think, and recent times had been reluctant to participate in a live radio show where he worked. But, he said, with the Fair passes me like in football: the desire to be with the family, I become less judgmental. And at the Fair, at least once a year, not bad meet with the part of your family that you do not see as much as you like, your cousins, your uncles. Sit and eat with them but you do not like the Seville. Sevillanas is danced, because others, who are dressed as a gypsy, just look out into the street to begin developing the first symptoms of torticollis ...
Four years without stepping in the ring and this year I passed under the archway a couple of times to be with my family for a walk in the cab of the Press Association and chat time with some good friends. Not bad for a loner who abhors crowds. But the desire to be with the people you are larger than the convictions, prejudices or indifference. And it is rightly so. And tonight, who plays for Sevilla with Real Madrid, and the game gives me more or less equal, it is more likely that the ten are sitting in front of the TV to see it with my father.
"I think the truth is perfect for math, chemistry, philosophy, but not
for life. In life, illusion, imagination, desire, hope have more. "
One of the great authors of Latin American literature, Ernesto Sabato, died at his home at age 99 in the early hours of last April 30 because of bronchitis. The Argentine writer, Cervantes Prize in 1984, began professional life as a physicist and then switched to literature.
His work has been internationally acclaimed with many other awards and widespread in numerous translations. Sabato is considered one of the most important writers in English of all time.
His life was marked by significant events. Fighter for the preservation of Human Rights, held a strong commitment against military dictatorship was established in Argentina between 1976 and 1983. So, with the advent of democracy was part of the National Commission on Disappeared People (CONADEP), an institution that investigated the disappearances of people during the dictatorship and the existence of illegal detention and torture. That activity was the text Report Sabato.
victim of a severe depression that lasted a long time, Sabato later years were spent confined to his home. And did not write, but was still painting, his second passion. Not defending the communist ideals of his youth and declared itself to be closer to something he called "anarcho-Christianity." Sabato
novelist and essayist
author of numerous writings on the human condition, Sabato makes a long work in which the novels stand The tunnels l, On Heroes and Tombs - who confirmed as a English-language original author - and Abaddon, the destroyer .
The tunnel is a psychological novel about the motivations of murder committed against Maria Iribarne by a painter, Juan Pablo Castel. Sábato intended to write a novel philosophical foundation in fact, among its pages, he developed his metaphysical view of existentialism. The tunnel, however, is no mere ideological reflection, the plot went beyond the original intentions of Sabato and became an intense story of jealousy, passion and despair.
On Heroes and Tombs is considered by many the greatest novel of the twentieth century Argentina. Weaves various arguments as Argentina's history, the life of a family originally from the rancid aristocratic Creole tormented relationship of Martin and Alejandra, a brutal incest, and a plot led by a secret organization of blind, from which the author reflects on the idea of \u200b\u200bduality: heaven and hell, beauty and horror.
At the time of its publication, the book provoked much criticism, even branded as racist as suggesting that we learn the horror and tragedy that we can draw from the beauty. According to the author, this apparent paradox leads us to understand each other better as human beings and condemned.
Abaddon, the destroyer , 1974, is his latest novel. It establishes a connection with his earlier novels, especially On Heroes and Tombs. It consists of a fragmented narrative that mixes autobiographical events truthful and fantastic. Includes events in Argentina's history, the Second World War, Hiroshima and the Vietnam War.
Ernesto Sabato has also come for the history as a major essayist of his time, not only by the amount released but also the quality and variety of topics.
In 1952, the beginning of his literary life, wrote Heteredoxia , a trial that brings to the fore the woman, he regarded the innate character of humanist culture.
His first trial, and the universe One was published in 1945 and brings together political and philosophical articles. And as good Argentine Tango wrote , discussion and password (1963), a compendium of information and opinions about the tango and world.
reflections, doubts and theories about the search for a novelist throughout his creative themes were also treated in Sabato and his ghost writer (1963) and Books and mission in the release Latin America (1979).
published in 2000 his last essay, resistance, a philosophical conception of man and globalization in spreading its deepest experiences about the moral degradation of human beings in the context of a society without values, and ensures "only hope will make us free." From then devoted himself exclusively to painting since by prescription had been forbidden to write and read.
As if anticipating this, in 1998 published Before the End, considered his literary testament, he spoke about the end times and his own end. This essay chronicles his life, leaving a strong message of hope to youth.
Sabato has been longevity in life and in writing. Its basic stylistic features are brilliant exposition, introspection, psychological and rhetorical bombast. Their longevity has allowed vital exercise intensely moral commitment: rather than a writer, he represents the ethical conscience of his time. And that commitment to defending the dignity will always be an invaluable guide for all those who defend the human right to be free and respected.
Therefore, we feel that Ernesto Sabato is the biggest, best, of Argentina.
Fighter for human dignity
For his honesty and critical thinking, Ernesto Sabato was elected President of the National Commission on Disappeared People (CONADEP), established by President Raul Alfonsin of Argentina in 1983 with the challenge of investigating violations of Human Rights during the military dictatorship in power between 1976 and 1983.
were collected more than 50,000 pages of documents that revealed thousands of cases of abductions, disappearances, torture and executions, and clarified that the abuses resulted in the deaths of more than 30,000 people. Each case was analyzed, documented and filed separately.
Nevermore. National Commission report on the disappearance of people , published in an official report in 1984, is a summary of the tasks of the Commission. A Sabato, in addition to coordination of the Commission, he commissioned the prologue Report .
Sabato says in the document: "With sadness, with sorrow we have fulfilled the mission entrusted to us at the time the Constitutional President of the Republic. That was very hard work because we had to piece together a dark puzzle, after many years produced the facts, when deliberately erased all traces, all documentation has been burned and even buildings have been demolished. We had to rely, therefore, in reports of family members, in the statements of those who could get out of hell and even repressors in the testimonies of dark motives that approached us to say what they knew. "
And concludes: "The great calamities are always instructive, and certainly the most terrible tragedy in its history that the nation suffered during the military dictatorship that lasted launched in March 1976 will help us understand that only democracy can save a village horror, that only she can keep and save the sacred and essential rights of the human creature. Only then can we be sure that our country never again be repeated facts that we have made tragically famous in the civilized world. "
Report Sabato is engraved in the minds of the Argentines because in it the writer identify those responsible for crimes committed, that as a result were convicted and sent to jail.
Brazil Never Again
A similar project was developed in Brazil, from August 1979 to March 1985, coordinated by the São Paulo Archiodiócesis, and resulted in the book Brasil Nunca Mais , whose goal was to reveal the dark reality kept secret in the basement of the Brazilian dictatorship that will never be repeat violence and persecutions of the time.
Under the leadership of Cardinal-Archbishop D. Paulo Evaristo Arns, the report contains the repression by the military regime from documents produced by the authorities. Gathered copies of almost all political processes judged by the Brazilian Military Justice from April 1964 to March 1979, especially in the Superior Tribunal Militar (STM).
were obtained in various ways, copies of 707 full process and dozens of other incomplete, um totaling over a million pages microfilmed immediately in two ways, so that one could be saved without risks abroad.
never would have imagined, I think. A force to be elusive Osama Bin Laden had become a kind of entelechy, we knew it existed, or had been, but we had already lost hope of seeing him again. Sometimes I have given think that maybe one day a secret agent infiltrated succeeding in some hidden mountain, as in a novel by Frederic Fortsyth, and that the spy, before killing him, he began to weaken belief. Other times it occurred to me that Bin Laden was dead, but that was irrelevant, because the terrorists who would worship him in the gap but it was no longer its leader, as I think, unfortunately, happen. Even the master Le Carré wrote an article shortly after the September 11, 2001 in which he said he does not miss one day see himself head of Al Qaeda to blow himself piloting a plane.
And it was like none we had imagined, he said, or in the mountains of Afghanistan and putting the nose of a 747 heading for the Empire State , but in a neighborhood of a city in Pakistan. Estate, the newspapers say, but hard to imagine luxury in a house they are plastering walls and beds without riots. But above all, no one had been able to predict ten years ago a neighbor of Bin Laden would relay via Twitter, unknowingly, the operation of a command of U.S. Special Forces. This is what I find most curious of the whole operation: Obama, Hillary Clinton, Vice President and a few others tight-lipped White House while attending live to assault the house of Bin Laden in Pakistan, while a resident of the complex you are counting live without knowing what it is . I imagine the picture, sitting in my house at night, giving the keys of Twitter, and in the morning I learn that he lived with Osama Bin Laden. Maybe I plantería that now is the time to sell my home ...
If anyone doubted that social networks have changed the world, I think they just run out of arguments.
Well, I leave for today. I still write for a while. Today he played double time because tomorrow I have things to do outside of my office.
Oh, and if anyone is interested, today, finally I have my brand new bike.
been a year and a half working on this blog, but I will leave, and this time surely it is forever. I'm sorry, but I have no time now to work on this blog and after returning from that vacation cost me to get back to level before. Sorry, but I put a comment vuatros e-mails on this post if I open the blog. One last thing, off to see WWE at Barcelona, \u200b\u200bthen the videos and photos that do put it in this blog.
Until recently wrote with pleasure and steadily entries in this blog, but for a few weeks my interventions have been reduced. Pocket it is inevitable when the final leg of a novel isolate a little more, perhaps unintentionally. Not that anything ever happened to me, and I'm not bored with blogging. I still do. But by mid-month a year ago I started the first draft of a new novel, and this morning I buttoned the penultimate chapter. And one place to be nearing the end of a long journey with the rigging intact and no major gaps in the hull that threaten to sink the ship before it reaches the port, but is also very tired and leave a little side blog, because many hours writing and least when you finish it you feel like writing a little more, but you know, like right now, a few lines are enough to enjoy the creation of something else, too short to park for a while the characters you ve been living together.
rains a lot in Sevilla, and although the words of the gravel may be a marvel, one is already a little tired, especially now, I just bought a new bike and I have not yet been release . I have it saved in one room, shimmering, without a speck of dust or a speck of mud, and I look look like children's toys that can not open until a date set. I have really wanted to go out and get lost for a few hours, and when I look out the window I remember the cyclists I saw a summer in Scotland, protected with a waterproof ponchos, so used to the rain that is sure to give them laugh if they saw me looking out the window and regret because I have not had my brand new bike.
Maybe
pedal through the countryside is also a kind of happy and voluntary isolation, like dive for months writing a novel. This morning was so focused on my work, I have not learned to lunchtime that have killed Bin Laden.
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This weekend has been one of those. After exactly one year ago tomorrow I started writing my latest novel, and rolled up to the elbows with the last chapter that I am, if there is a catastrophe by 
